Journal

Why I would rather lose a day than fake a sunrise — notes from the Low Tide shoot.

What I learned photographing an empty house with a single 50mm lens.

How I translated a perfume into paper, petals and pastel walls for Maison Clair.

Three weeks, one car and no client: the making of Salt Roads.

Shooting film stills between takes without slowing anyone down.

A few things I have learned since I picked up my first camera in Copenhagen.